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LIVEと行事一覧DB データベース (DataBase for Live Concerts and Events) メニューMENU +←クリック目次 [←Click here for CONTENTS] ↓↓↓このページ名(Current Page Name)↓ 自動作成目次(contents) 行事紹介(Live Concert and Event Information) 【LIVE/海外/Hatsune MIKU EXPO in Jakarta Indonesia 2014】 HATSUNE MIKU EXPO 2014 in Jakarta Indonesiaダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) International News (国際ニュース) New Project and collaboration Blog (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介(Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【LIVE/海外/Hatsune MIKU EXPO in Jakarta Indonesia 2014】 LIVE/海外/Hatsune MIKU EXPO in Jakarta Indonesia 2014 Related page LIVE/海外/Hatsune MIKU EXPO in Los Angeles & New York USA 2014 【HATSUNE MIKU】MIKU EXPO 2014 in Indonesia https //www.youtube.com/watch?v=PwtStjsmD6A "HATSUNE MIKU EXPO", an event of the virtual singer Hatsune Miku, is being held in Jakarta Indonesia http //mikuexpo.com/ HATSUNE MIKU EXPO 2014 in Jakarta Indonesia Live Concerts Date May 28th ,May 29th Live Concerts Venue Jakarta Convention Center Cendrawasih Room Exhibition Event Venue Jakarta Convention Center Cendrawasih Room Lobby Website http //mikuexpo.com/indonesia_top http //mikuexpo.com/indonesia_concert Official Website http //mikuexpo.com HATSUNE MIKU EXPO 2014 in Indonesia is a festival that will host the most popular contents about Hatsune Miku. Included are exhibitor booths with Miku-related items, toys and services, an exhibition about the history and cultural movement that was inspired by Miku, fan gathering activities and as absolute highlight the fabulous live show of Hatsune Miku using cutting-edge projection technology. ■イベント名称: ■会場: ■日程: 【 チケット販売について 】 <一般発売> Twitter # Tag #mikupa タグ http //twitter.com/#!/search/%23mikupa facebook Hatsune-Miku http //www.facebook.com/pages/Hatsune-Miku/10150149727825637 会場詳細 ダイジェスト映像・動画配信・写真等(Summary Video, Live Streaming Photo) 関連映像 (Related Videos) [Hatsune Miku] Road to HATSUNE MIKU EXPO 2014 in Indonesia [初音ミク] http //www.youtube.com/watch?v=Bo2LO4kWsyY HatsuneMiku channel http //www.youtube.com/user/HatsuneMiku 【Hatsune Miku】 CONCERT!! 【初音ミク】 http //www.youtube.com/playlist?list=PL-pKPpZ1Q5NZqi-pHqc2zKXk8GG3U2fkW チケット情報・グッズ情報・BD/CD・その他 (Ticket Goods Information, etc.) チケット情報一覧 http //mikuexpo.com/indonesia_ticket official goods ニコ生 (Nico NIco Video LIVE streaming) 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) 投影スクリーンの種類 (Screen Type):ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 投影スクリーンの形状 (Shape of Screen): スクリーンの素材(Materials for making screen): スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color): 投影スクリーン等への映り込み状態(Reflection): 舞台の高さ(stage height): スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度): スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?): 使用された投影ボード等の枚数(Number of board used): ? 音響設備及び音響状態 (Sound): プロジェクタの種類・台数 (Projector): 使用ソフト (Software): VFエンジン 3D model: スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Computer and OS: リアルタイム レンダリングの有無(real-time rendering or not) レンダリング速度等 fps フレーム速度 fps カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): 会場設備 その他 (others): 衣装モジュール及びデザイン (Clothing design of the models) 選曲: 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ ■フロントアクト 各公演のゲスト出演Pが決定しました! セットリスト(演奏曲目)・その他 (Set List, name of music) Set List LIVE SET LIST Hatsune Miku Concert Final 39 s Giving Day http //mikubook.com/setlist/mikupa2012inTokyo http //www.mikubook.com/index.php/home/specials SET LIST and Producer links of Vocaloid wiki Vocaloid concert directory http //vocaloid.wikia.com/wiki/Vocaloid_concert_directory Live Events http //vocaloid.wikia.com/wiki/Live_Events http //hatsunemikusetlists.wordpress.com/ for listings that are already in English, there will be no ‘romaji’. Summary in English and other language(英語等での紹介) http //www.niconico.com/ http //live.niconico.com/ ※This show will be pay per view. If you would like to purchase the single tickets for each shows, please refer to the following link. You will be directed to Paypal for your payment. You can purchase the ticket until (JST). You can watch the timeshift until (JST). LIve viewing 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報一覧MEMO International News (国際ニュース) New Project and collaboration Blog MikuFan Interview With Crypton Future Media at Anime Expo 2014 http //www.mikufan.com/mikufan-interview-with-crypton-future-media-at-anime-expo-2014/ http //39mikustream.blogspot.jp/2014/07/mikufancom.html (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 ライブ技術一覧/過去のライブの反省会等の一部 https //www.youtube.com/watch?v=ipldJFN-ksk https //www.youtube.com/watch?v=g1FSqWUV8fs EDIT Page If do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. 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Market Scenario Market Research Future digs into account and found that the market would rise at a pace of 14% CAGR and would reach USD 6 Billion valuations by 2023. Investors weighed signs of the economy, recovering against a rise in coronavirus infections in the Sentiment Analytics Market The coronavirus has prompted many regions to reassess the need to raise the markets from a definite period. The study reveals that the overall market would get bigger post the pandemic at an increased pace with the invention of the new-fangled dynamism, which is making rapid progress in the market’s growth, mainly from the years 2017-2023 (forecasted period). Multiple Factors to Boost Market Growth The rising predictive analytic techniques and rising competition between businesses are the primary factors driving the sentiment analytics market growth. According to the sentiment analytics market study, the retail vertical segment is expected to generate the most market share throughout the projection period. As a result, demand for products and services is expanding in numerous places, creating new opportunities in the marketing field. The increasing acceptance of cloud-based solutions and the improvement of individual experiences as a result of the expanding influence of AI are raising the demand for the sentiment analytics market, and it is predicted to provide more opportunities to the worldwide market. As a result, sentiment analytics market players are creating new chances for the global market by enlisting more investors in global market research and development. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/4304 Segmentation Depending on the organization size segment, small and medium enterprises hold the largest market share. Escalating competition creates an opportunity for businesses to collect efficient data related to sentiment development is one of the prime factors boosting the sentiment analytics market. Sentiment analytics market by components segment Comprises sentiment, professional services, service and support, and maintenance services. Sentiment analytics market by deployment segment Comprises cloud and on-premise. Sentiment analytics market by vertical segment Comprises BFSI, transportation logistics, retail, education, healthcare life sciences, media entertainment, and others. Competitive Outlook The well-known players in the sentiment analytics market are included as Clarabridge (U.S.), Angoss Sentiment Corporation (Canada), SAS Institute (U.S.), IBM (U.S.), Bottlenose.Com (U.S.), Aylien (Ireland), Brandwatch (U.K.), Crowdflower (U.S.), Adoreboard (U.K.) and Twizoo (U.K.). Regional Analysis Among these, the North America region holds the highest market share in the sentiment analytics market owing to the incidence of significant players in the region and the adoption of sentiment analytics solutions by small and big enterprises. Countries such as the US and Canada contribute a tremendous amount of revenue in the sentiment analytics market in the region. Asia‐Pacific region is likely to be increasing at the highest CAGR. Enterprises in the region are funding massively in sentiment analytical tools to progress business efficiency and productivity, and mounting sentiment companies in the region is boosting the market in the region. APEJ and Japan are predicted to develop at the highest CAGR in the anticipated period owing to rapid digitalization and raising brand awareness and image in developing countries. Industry News This pandemic situation has hampered the Sentiment Analytics Report Market Growth as well as its productivity, supply chain, and others. Moreover, the global market has lost its investors due to the increasing loss for the products, supply, transportation, workforce, and others. However, in the meantime, the key market players have implied various strategic techniques to boost global market growth. Thus, to meet the global market demands, the global market increased its speed in producing more valuable products for its intended customers. Recently, the global market has stabilized its position in the global market and is expected to register a higher Sentiment Analytics Report Market Size for the forecast period. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/sentiment-analytics-market-4304 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure 3Market Research Methodology 3.1Research Process 3.2Secondary Research 3.3Primary Research 3.4Forecast Model Continued…. View Similar Report * https //writeonwall.com/virtual-classroom-market-revenue-estimation-sales-and-growth-opportunities-price-business-overview-trends-demand-trends-share-size-and-forecast-to-2027/ https //www.zupyak.com/p/3003199/t/content-analytics-market-revenue-estimation-sales-and-growth-opportunities-and-analysis-economy-due-to-high-emerging-demands-by-forecast-to-2027 Online Meeting Software Market Research Report - Global Forecast till 2027 https //www.marketresearchfuture.com/reports/online-meeting-software-market-8297 About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. 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Market Scenario The global Identity And Access Management Market has been expected to increase at a CAGR of 13.50%, with a value of USD 35.71 billion during the estimated forecasting year of 2030. The demand for identity and access management market is gaining traction due to the ring of regulatory compliances and security concerns. It also matters more than the increasing cloud adoption is one of the most important factors responsible for the growth of the identity and access management market sectors around the world. However, the integration of advanced technologies like blockchain as well as artificial intelligence into the identity and access management market solutions has been expected to raise the growth of the entire market sector within the upcoming time. It allows the organizations to manage the lifecycle of the identities like employees, contractors and vendors. Cloud technology is changing the way of business and other essential work while it is driven by cost efficiency and the economics of sale. Furthermore, the lack of effective security can undermine the benefits of cloud computing. This marks the fundamental need for security solutions that include security for identity-related crimes, and thus it drives the market for identity and access management. Secure the networks, and the digital assets have become an important component of every business. Hackers do not only commit the data breaches, but the individuals also commit many within an organization who have access to sensitive parts of the networks or facilities. Among these types of cloud deployment used in the market, the public cloud accounted for the largest share due to its increased adoption across the verticals. Due to the spread of the epidemic, the organizations have adopted remote work culture and cloud technology to mitigate the impact on the business operations. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/2635 Competitive Outlook The key participants identified by MRFR operating in the global identity access management market are– F5 Networks (U.S.), Amazon Web Services (U.S.), HP (U.S.), IBM (U.S.), Microsoft Inc. (U.S.), Oracle Corporation (U.S.), Siemens AG (Germany), Dell Inc. (U.S.), CA Technologies (U.S.), ForgeRock Inc. (U.S.) among others. Segmentation The global identity and access management market has been divided into solutions, deployment, organization size, end-user verticals and regional analysis. The solution section further divides the market into five parts identity cloud, identity governance, access management, directory services, and other solutions. The deployment section further divides the market into three parts on-premise, hybrid and cloud-based. As per the organization part, the entire market has been segmented into two categories large enterprises and small medium enterprises. The identity and access management market is further classified into eight sections BFSI, IT telecom, education, healthcare, retail, energy, manufacturing, and other end-user verticals with end-user verticals. As per the regional basis, the market is divided into five parts Asia-pacific, Europe, North America, South America, and Middle East Africa. Regional Analysis Over the last few times, several data breaches have been reported in the Northern American region. These breaches have affected several end-user segments ranging from IT and telecom, healthcare, to the energy sector. The data breach affected around 2.7 million people and 173,000 businesses. The leaked information includes names, addresses, birth dates, email addresses and information about the transaction habits. Besides this, the region s healthcare sector also can defend against the cyber threats that its employees seriously undermine. Industry News In Canada, the prevention of attacks on organizations, the IT budgets of the companies increased by 11% between 2014 and 2017. In the United States, the IT sector has spent on security solutions to reach USD 66 billion. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/identity-access-management-market-2635 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Similar Report***** Mixed Reality Market Research Report https //writeonwall.com/mixed-reality-market-by-development-size-share-and-demand-opportunity-size-share-trend-intel-corporation-u-s-sony-corporation-japan/ Smart Glass Market https //writeonwall.com/smart-glass-market-by-development-size-share-and-demand-opportunity-size-share-key-manufacturers-drivers-value-and-foreseen-2027/ Passport Reader Market https //writeonwall.com/passport-reader-market-by-development-size-share-and-demand-opportunity-it-security-and-data-protection-analysis-forecast-to-2030/ About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. 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Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the Wastepaper Management Market . The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for Wastepaper Management Market . Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. 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Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the Ridge Vents Installation Market . The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for Ridge Vents Installation Market . Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. 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LIVEと行事一覧DB データベース (DataBase for Live Concert and Event) メニューMENU +←クリック目次 [Click here for CONTENTS] 自動作成目次(contents) 行事紹介(Live Concert and Event Information) 【INFO/Oversea/voting for 2012 London Olympics Next Concert EVENT】 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) セットリスト(演奏曲目)・その他 (Set List, name of music) Summary in English and other language(英語等での紹介) 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・現地参加者の感想・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 EDIT Page 行事紹介(Live Concert and Event Information) ↓このページ名(Current Page Name)↓ 【INFO/Oversea/voting for 2012 London Olympics Next Concert EVENT】 【INFO/Oversea/voting for 2012 London Olympics Next Concert EVENT】 【登録タグ(tag) 】ここにぺーじ名をひらがなで記載 INFO/Oversea/voting for 2012 London Olympics & Next Concert EVENT Singers You d Like to Perform at the 2012 London Olympics Opening Ceremonies (non official) オリンピック開会式の歌手投票サイト http //www.the-top-tens.com/lists/singers-perform-london-olympics-opening-ceremonies.asp Result http //www.the-top-tens.com/stats.asp Virtual Diva Hatsune Miku Out-polls Lady Gaga in Olympic Singer Survey | Tech in Asia http //www.penn-olson.com/2012/01/18/hatsune-miku-poll/ Virtual idol Hatsune Miku topping 2012 Olympics poll 2012 CBS Interactive http //www.zdnet.com/blog/asia/virtual-idol-hatsune-miku-topping-2012-olympics-poll/765 http //toro.2ch.net/test/read.cgi/news2/1327242202/ Next Country You Would Like to Have a Hatsune Miku Live Party? (non official) http //www.the-top-tens.com/lists/next-country-you-would-like-have-a-hatsune-miku-live-party.asp 「スーパーボウル」の合間のハーフタイムショウに「初音ミク」 http //bleacherreport.com/articles/1030800-five-future-super-bowl-halftime-shows-that-should-be-considered#/articles/1030800-five-future-super-bowl-halftime-shows-that-should-be-considered/page/3 出た!「THE TOP TENS」の「ロンドン五輪OP歌手」投票に絡めた海外記事 http //vocaloid.blog120.fc2.com/blog-entry-10795.html 技術情報・出演ボーカロイド・スクリーン・MMD・3Dモデル・プロジェクター・ソフト・舞台等 (Technology・Vocaloid Name・Screen・MikuMikuDance・3D Model・Projector・Software) ライブ技術一覧 Hatsune Miku Kagamine Rin Kagamine Len Megurine Luka ディラッド・ボード又はディラッド・スクリーン、もしくは改良品 (3D models by SEGA) 技術内容が不明の部分は、空けておいて下さい。 (IF YOU DO NOT UNDERSTAND, LEAVE THE TECHNOLOGY SECTION OPEN.) 投影スクリーンの種類 (Screen Type): スクリーンの素材(Materials for making screen): スクリーン素材の網の目等のメッシュのサイズ:Mesh number # or Mesh size of Screen: スクリーン素材の製品カタログ番号等(Product Number of materials for making screen): スクリーン素材の透過率(%)及び色等(Light Transmittance (%) of screen, Color): 投影スクリーン等への映り込み状態(Refrection): 舞台の高さ(stage height): スクリーンの高さ(Screen height): スクリーンの湾曲の程度=(映りこんだ物の歪み方の程度): スクリーンの大きさ又は横の長さ (Screen Size): スクリーンの継ぎ目の数=(つないで使用された投影ボード等の枚数-1、?): 使用された投影ボード等の枚数(Number of board used): 音響設備及び音響状態 (Sound): プロジェクタの種類・台数 (Projector): 使用ソフト (Software): 3D model: スクリーン及び映像の解像度(Resolution of Screen and video): 投影時の色補正(Color Adjustment to view on screen): MMDのモデルの種類(Model Type of MikuMikuDance): Computer and OS: カメラ等 (Camera): 技術説明動画・写真等 (Tech Video Photo): 会場設備のホームページ (Homepage of the Event Hall): その他 (others): 出演者・製作者・関連ブログ等 (Musician, Staff, Related Blog and Credit) 演奏者と関連ブログ セットリスト(演奏曲目)・その他 (Set List, name of music) セットリスト Summary in English and other language(英語等での紹介) Happy to meet you ! I m HATSUNE MIKU」 行事を行う団体や個人等 (Organizer and Group) スポンサー・協賛等 (Sponsor and Support) 関連行事 (Related Event Info.) 紹介記事・現地参加者の感想・参考サイト・謝辞・文献等 (News, References, Acknowledgement and Credit) 情報概要一覧MEMO 現地参加者の感想 (このサイト内での関連内部リンク・補助リンク・Internal Link) Memo・メモ帳 ライブ技術一覧/4過去のライブの反省会等の一部 EDIT Page If you do not know about editing web page of this Wiki, DO NOT EDIT. Click HERE to Edit Current Page or click following URL to edit this page. http //www18.atwiki.jp/vocalive/editx/27.html Make sure to rewrite correct page number after (/vocalive/editx/) or (/vocalive//editx/PAGE NUMBER.html) to edit current page. [ページ保存] button below the editing window=means SAVE the page after editing to finish editing. [プレビュー] button below the editing window=means PREVIEW the page during editing. input the code number shown to perform these command. To cancel editing, just use Web browser button out side the editing window to go back. or CLOSE the editing page of the Web browser s window. If you make mistake, DO NOT SAVE the page. Do NOT press [ページ保存] button. [» タグ ]box below the editing window=means make TAG of this page after editing. If you have any problem, insert "HELP" in the TAG to identify the page at later for repair. EDIT & MAKE Page コメント・Comment 名前 コメント
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http //www.stage6.com/user/fackyou/video/1927024/watch20071207 [hotmint lapis=lazuli otogi ニコマコス倫理学 Heartily] http //www.stage6.com/user/fackyou/video/1932119/watch20071209 [一般人 THE子 msk 適当にまったり sec.imp] http //www.stage6.com/user/fackyou/video/1956197/watch20071216 [釘宮病 頭が取れる仕組み sec.imp pu-tin Satsuei niceboat curo TravelingMan] http //www.stage6.com/user/fackyou/video/1965961/watch20071218 [初○ tkk 私は負けない なな asoko] http //www.stage6.com/user/fackyou/video/1968682/ [eromania 私は負けない sec.imp ニコマコス倫理学] http //www.stage6.com/user/fackyou/video/1979907/ [watch+ tkk ニコマコス倫理学 VIPからき☆すた] http //www.stage6.com/user/fackyou/video/1977489/watch20071222part1 http //www.stage6.com/user/fackyou/video/1979620/watch20071222part2 [watching legendryH MicroSD anniversary] http //www.stage6.com/user/fackyou/video/1979241/watch20070928 [8frujgf(私は負けない?) パンティータ女将DX UnholyReaver watch+ flypan ちぃ坊] http //www.stage6.com/user/fackyou/video/2028685/ [Satsuei ニコマコス倫理学 花火師 hotmint kawasemi Hamulation TOUA] http //www.stage6.com/user/fackyou/video/2066695/watch20080112part1 http //www.stage6.com/user/fackyou/video/2066695/watch20080112part2 [yeche 釘宮病 vanity underworld ] http //www.stage6.com/user/fackyou/video/2067758/watch20080112part3 http //www.stage6.com/user/fackyou/video/2068115/watch20080112part4 [中学3年生 釘宮病(日本トカゲ) おーら easy9] (動画は全てSatuei氏がupしてくれています) 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/touhoukashi/pages/4784.html
【登録タグ Kraster Ne;on P Perfect Cherry Blossom. さくらさくら ~ Japanize Dream... アルティメットトゥルース クリスタライズシルバー ティアオイエツォン(withered leaf) ネクロファンタジア ハイジ ブクレシュティの人形師 ボーダーオブライフ 人形裁判 ~ 人の形弄びし少女 天空の花の都 妖々夢 ~ Snow or Cherry Petal 妖々跋扈 妖々跋扈 ~ Who done it! 少女幻葬 ~ Necro-Fantasy 幽雅に咲かせ、墨染の桜 ~ Border of Life 幽霊楽団 ~ Phantom Ensemble 広有射怪鳥事 ~ Till When? 春風の夢 東方妖々夢 ~ Ancient Temple 桜姫楼閣 無何有の郷 ~ Deep Mountain 羽丘淳 遠野幻想物語】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); 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} #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*